Youtube Down to the River to Pray O Brother Where Art Thou

Episode in which Pontius Pilate presents Jesus Christ to the people (John 19:5)

This article is well-nigh the biblical phrase and the subject in art. For other uses, come across Ecce homo (disambiguation).

Ecce homo (, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the human") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus Christ, leap and crowned with thorns, to a hostile oversupply shortly earlier his Crucifixion (John xix:5). The original New Attestation Greek: "ἰδοὺ ὁ ἄνθρωπος", romanized: "idoù ho ánthropos" , is rendered by most English language Bible translations, e.g. Douay-Rheims Bible and Rex James Version, as "behold the man".^[a] The scene has been widely depicted in Christian art.

A scene of the Ecce Homo is a standard component of cycles illustrating the Passion and Life of Christ in fine art. It follows the Flagellation of Christ, the Crowning with thorns and the Mocking of Christ, the last two often beingness combined:^[b] The usual delineation shows Pilate and Christ, a mocking crowd which may exist rather large, and parts of the city of Jerusalem.

But, from the 15th century in the West, and much earlier in the art of the Eastern church, devotional pictures began to portray Jesus alone, in one-half or full figure with a purple robe, loincloth, crown of thorns and torture wounds, peculiarly on his head, and later became referred to as images of the Ecce Human. Similar subjects but with the wounds of the crucifixion visible (Smash wounds on the limbs, spear wounds on the sides), are termed a Human of Sorrow(s) (also Misericordia). If the instruments of the Passion are nowadays, information technology may exist chosen an Arma Christi. If Christ is sitting down (commonly supporting himself with his hand on his thigh), information technology may be referred to information technology every bit Christ at residue or Pensive Christ. Information technology is non ever possible to distinguish these subjects.

Eastern Christianity [edit]

Narrative scenes of the Biblical moment are most never shown in Eastern fine art, merely icons of the single effigy of the tortured Christ go back over a millennium, and have sometimes been chosen Ecce Homo images by later sources. The first depictions of the ecce homo scene in the arts appear in the 9th and 10th centuries in the Syrian-Byzantine culture of the Antiochian Greek Christians.^[h]

Eastern Orthodox tradition generally refers to this type of icon past a different title:^[i] ″Jesus Christ the Bridegroom″ (Byzantine Greek: Ιηϲοῦϲ Χριστόϲ ὁ Νυμφίος , romanized: Iesoũs Christós ho Nymphíos ).^[j] It derives from the words in New Testament Greek: "ἰδοὺ ὁ νυμφίος", romanized: "idoù ho nymphíos" , past which Jesus Christ reveals himself, in his Parable of the Ten Virgins co-ordinate to the Gospel of Matthew,^[a] as the bearer of the nigh high joy.^{[one thousand]}

The icon presents the bridegroom every bit a suffering Christ, mocked and humiliated past Pontius Pilate's soldiers before his crucifixion.^{[b] [j]}

The daily Midnight Office summons the true-blue to be ready at all times for the day of the Dread Judgement, which will come up unexpectedly like "a bridegroom in the night".^[l] On Mon, Tuesday and Midweek, the first three days of Passion Week, the final calendar week before Pascha, consecrated to the commemoration of the concluding days of the earthly life of the Saviour, the troparion is chanted: "Behold the Benedict Cometh at Midnight" (Byzantine Greek: Ἰδού ὁ Νυμφίος ἔρχεται ἐν τῷ μέσῳ τῆς νυκτός, romanized: idoú ho nymphíos érchetai en tõ méso tẽs nuktós ).^{[k] [grand]}

A Passion Play, presented in Moscow (27 March 2007) and in Rome (29 March 2007), recalls the words, with which "in Holy Scriptures Christ describes Himself as a bridegroom":^[n]

The Bridegroom of the Church is transfixed with nails.
The Son of the Virgin is pierced with a spear.
We venerate Thy Passion, O Christ.
We venerate Thy Passion, O Christ.
Nosotros venerate Thy Passion, O Christ.
Show us also Thy glorious Resurrection.

Western Christianity [edit]

Ecce Homo past Titian, between c. 1570 and c. 1576

Depictions of Western Christianity in the Middle Ages, e.g. the Egbert Codex and the Codex Aureus Epternacensis, seem to depict the ecce homo scene (and are usually interpreted as such), but mostly only show the Crowning of thorns and the Mocking of Christ,^[b] which precede the bodily ecce homo scene in the Bible. The independent prototype but developed around 1400, probably in Burgundy, merely so rapidly became extremely popular, especially in Northern Europe.^[18]

The motif institute increasing currency as the Passion became a central theme in Western piety in the 15th and 16th centuries. The ecce human being theme was included not only in the passion plays of medieval theatre, but also in cycles of illustrations of the story of the Passion, as in the Corking Passion of Albrecht Dürer or the engravings of Martin Schongauer. The scene was (specially in French republic) oft depicted as a sculpture or group of sculptures; even altarpieces and other paintings with the motif were produced (e.chiliad. by Hieronymus Bosch or Hans Holbein). Similar the passion plays, the visual depictions of the ecce man scene, information technology has been argued, often, and increasingly, portray the people of Jerusalem in a highly disquisitional light, bordering perhaps on antisemitic caricatures. Equally, this style of art has been read as a kind of simplistic externalisation of the inner hatred of the angry crowd towards Jesus, not necessarily implying any racial judgment.

The motif of the lone figure of a suffering Christ who seems to be staring straight at the observer, enabling him/her to personally identify with the events of the Passion, arose in the late Middle Ages. At the same time similar motifs of the Human of Sorrow and Christ at balance increased in importance. The subject field was used repeatedly in later so-called one-time principal prints (e.thou. by Jacques Callot and Rembrandt), in the paintings of the Renaissance and the Baroque, besides equally in Bizarre sculptures.

Hieronymus Bosch painted his first Ecce Homo during the 1470s.^[nineteen] He returned to the subject field in 1490 to paint in a characteristically Netherlandish way, with deep perspective and a surreal ghostly paradigm of praying monks in the lower left-hand corner.

In 1498, Albrecht Dürer depicted the suffering of Christ in the Ecce Homo of his Dandy Passion in unusually close relation with his cocky-portrait, leading to a reinterpretation of the motif as a metaphor for the suffering of the creative person. James Ensor used the ecce man motif in his ironic painting Christ and the Critics (1891), in which he portrayed himself equally Christ.

Antonio Ciseri's 1871 Ecce Human being portrayal presents a semi-photographic view of a balustrade seen from behind the central figures of a scourged Christ and Pilate (whose face is not visible). The crowd forms a afar mass, almost without individuality, and much of the detailed focus is on the commonly secondary figures of Pilate'southward aides, guards, secretary and wife.

Ane of the more famous modern versions of the Ecce Homo motif was that past the Polish creative person Adam Chmielowski, who went on to constitute, as Blood brother Albert, the Albertine Brothers (CSAPU) and, a twelvemonth later, the Albertine Sisters (CSAPI), somewhen becoming proclaimed a saint on 12 November 1989 by Pope John Paul II, the writer of Our God's Brother [pl] , a play about Chmielowski, written betwixt 1944 and 1950, when the time to come Pontiff and afterward himself a saint was a immature priest. Chmielowski'south Ecce Homo  [pl] (146 cm x 96.v cm, unsigned, painted between 1879 and 1881), was meaning in Chmielowski's life, as it is in Deed ane of Wojtyła's play. Pope John Paul II is said to have kept a copy of this painting in his flat at the Vatican.^[20] The original can exist viewed in the Ecce Homo Sanctuary of the Albertine Sisters in Kraków.^[21] It was painted at a time when the painter was going through an inner struggle, trying to decide whether to remain an artist, or to give up painting to pursue the calling to minister to the poor.^[22]

Especially in the 19th and 20th centuries, the pregnant of ecce man motif has been extended to the portrayal of suffering and the degradation of humans through violence and state of war. Notable 20th-century depictions are George Grosz'southward (1922–1923) and Lovis Corinth's Ecce Homo (1925). The 84 drawings and 16 watercolors of Grosz criticize the socio-political conditions of the Weimar Commonwealth.^[23] Corinth shows, from the perspective of the oversupply, Jesus, a soldier, and Pilate dressed equally a physician. Post-obit the Holocaust of Globe War Two, Otto Dix portrayed himself, in Ecce Homo with self-likeness backside barbed wire (1948), equally the suffering Christ in a concentration camp.

Artworks with articles [edit]

These are images of the narrative type, with other figures, rather than the devotional Man of Sorrows type.

• Ecce Human (Bosch, 1470s), now Frankfurt
• Ecce Human (Bosch, 1490s), follower of Bosch, now Indianapolis and Philadelphia
• Ecce homo (Mantegna), c. 1500, now Paris
• Ecce Homo (Caravaggio), c. 1605, Genoa
• Ecce Human being (Rubens), c. 1612 Hermitage Museum
• Ecce Human (Luini), before 1532, Cologne
• Ecce Homo (Daumier), 1850, Essen

Gallery [edit]

• 

• 

• 

• 

• 

  Ecce Homo, by Titian (1490–1576)

• 

• 

• 

• 

• 

  Ecce Homo, by Lodovico Cardi chosen Cigoli

• 

  Ecce Homo, by Elias Moskos, 1648

• 

  The statue of Ecce Homo, revered in Brazil equally the Proficient Jesus

• 

• 

• 

Publications [edit]

• Хальфан, Елена (30 March 2009). "Se Zhenikh gryadet v polunoshchi..." Се Жених грядет в полунощи... [Behold, the Bridegroom comes at midnight...]. Pravmir.ru (in Russian). Moscow: Orthodoxy and the World. Archived from the original on xiv Feb 2018. Retrieved 28 March 2019. — Rotem (29 Dec 2018). "Church of Holy Sepulchre: Greek Orthodox Calvary". BibleWalks.com. Holy State sites review. Archived from the original on 10 Feb 2019. Retrieved 28 March 2019.
• Dreher, Rod (2017) [2015]. "The Lesson of the Reed". How Dante Can Salve Your Life: The Life-Changing Wisdom of History'south Greatest Poem. New York, NY: Regan Arts. ISBN978-1-68245-073-4.
• "Christ The Benedict: 'Behold, the Benedict is coming...'". Byzantine Catholic Eparchy of Parma: Christ the Bridegroom Monastery. April 2009. Archived from the original on i Baronial 2018. Retrieved 3 Apr 2019.
• Alfeyev, Hilarion (Baronial 1995). "Prayer in St Isaac of Nineveh". Department for External Church Relations. Moscow Patriarchate. Archived from the original on one Dec 2008. Retrieved 22 March 2019.
• John El Massih (10 April 2017). "Bridegroom, Troparion" (Canvass music) (in English and Arabic). Antiochian Orthodox Christian Archdiocese of North America — Sacred Music Library. Archived from the original on 19 Apr 2019. Retrieved 19 April 2019.
• Basil Essey (xiv Feb 2008). "Bridegroom, Exaposteilarion" (Sheet music). Antiochian Orthodox Christian Archdiocese of North America — Sacred Music Library. Archived from the original on xix Apr 2019. Retrieved 19 April 2019.
• "Christus der Bräutigam" [Christ the Benedict] (JPEG image). 4 Apr 2018. Archived from the original on 1 April 2019. Retrieved 2 April 2019.
• "Christus der Bräutigam" [Christ the Bridegroom] (JPEG image). 4 April 2018b. Archived from the original on 1 April 2019. Retrieved 2 April 2019.
• "Gemeinde Wien" [Parish of Vienna] (in German language). Antiochenisch-Orthodoxe Metropolie von Deutschland und Mitteleuropa. 2019. Archived from the original on 1 April 2019. Retrieved 1 Apr 2019.
• Alexandre (Semenoff-Tian-Chansky) (1984). Catéchisme orthodoxe (in French). Translated by Rovère, Irène (3rd ed.). Paris: YMCA Printing. ISBN2-85065-042-0. BNF 34859890h. ASIN B0014P88QS (1961. 1st ed.). ASIN B0014P9SHG (1966. 2nd ed.). — Александр (Семёнов-Тян-Шанский). "O dukhovnoy zhizni khristianina. Khristianskaya etika: Pritchi o Samom Spasitele" О духовной жизни христианина. Христианская этика: Притчи о Самом Спасителе [On the spiritual life of a Christian. Christian ethics: Parables about the Savior Himself]. Pravoslavnyy katekhizis Православный катехизис [Orthodox catechism]. Православная энциклопедия Азбука веры | православный сайт (in Russian). Archived from the original on ane Feb 2017. Retrieved 29 March 2019.
• Slobodskoy, Serafim Alexivich (1967). The Law of God: For Report at Home and Schoolhouse (English translation). Translated by Cost, Susan (1st ed.). Jordanville, N.Y.: Holy Trinity Monastery. ISBN978-0-88465-044-7. Archived from the original on 27 August 2018. Retrieved half dozen Apr 2019. — Слободской, Серафим Алексеевич (1967) [1957]. Zakon Bozhiy: Rukovodstvo dlya sem'i i shkoly Закон Божий: Руководство для семьи и школы [The Police of God: For Written report at Abode and School] (in Russian) (2nd ed.). Jordanville, Northward.Y.: Holy Trinity Monastery (published 1966). Archived from the original on 27 Baronial 2018. Retrieved half-dozen April 2019. — Internet edition (Russian: Интернетское издание, romanized: Internetskoye izdaniye ): 25 декабря 2005 / 7 января 2006 г., romanized: 25 dekabrya 2005 / 7 yanvarya 2006 g. , lit.'25 December 2005 / 7 January 2006'.
• "Church building Of All Russian Saints in Burlingame, CA". Dorogadomoj.com: The Manner Home to our Male parent, the Lord God, and Female parent Church (English translation). 19 November 2008 [31 May 2002]. Archived from the original on half-dozen May 2018. Retrieved vii April 2019. — "Tserkov' Vsekh Svyatykh 5 zemle Rossiyskoy prosiyavshikh v grand. Burlingeym, shtat Kaliforniya" Церковь Всех Святых в земле Российской просиявших в г. Бурлингейм, штат Калифорния [Church Of All Russian Saints in Burlingame, CA]. Doroga domoy k nashemu Ottsu Gospodu Bogu i materi Tserkvi Дорога домой к нашему Отцу Господу Богу и матери Церкви [The Way Home to our Father, the Lord God, and Female parent Church] (in Russian). 15 September 2008 [31 May 2002]. Archived from the original on 27 August 2018. Retrieved 7 Apr 2019.
• "Behold, the Benedict cometh at Midnight" (Russian chant). Gloria.tv. 20 August 2010. Archived from the original on 4 Apr 2019. Retrieved 4 April 2019.
• Alfeyev, Hilarion (v March 2007). "The Passion according to St Matthew. Libretto". Department for External Church Relations. Moscow Patriarchate. Archived from the original on 27 August 2008. Retrieved 22 March 2019.
• Schiller, Gertrud (1972). Iconography of Christian Art: The passion of Jesus Christ (English language translation). Vol. ii. London: Lund Humphries. ISBN0-85331-324-5. — Ikonographie der christlichen Kunst: Die Passion Jesu Christi [Iconography of Christian Art: The passion of Jesus Christ] (in German language). Vol. 2 (two ed.). Gütersloher Verlagshaus Gerd Mohn. 1983. ISBNthree-579-04136-3.
• Krén, Emil; Marx, Daniel. "Ecce Human being by BOSCH, Hieronymus". Web Gallery of Fine art. Archived from the original on 4 November 2016. Retrieved xviii March 2019.
• Wójtowicz, Marek (3 May 2011) [29 Apr 2011]. "Papież nowej ewangelizacji" (in Polish). DEON.pl. Archived from the original on 10 July 2017. Retrieved 18 March 2019.
• Wyczółkowski, Leon (1880). "Adam Chmielowski Brat Albert" (Artist's memory of his coming together with Adam Chmielowski in Lvov (1880)) (in Polish). Illustrated by Leon Wyczółkowski. Muzeum Okręgowe due west Bydgoszczy im. Leona Wyczółkowskiego. Archived from the original on 12 March 2016. Retrieved xviii March 2019.
• Grosz, George (2011) [1922–1923, reproduced drawings and watercolors executed 1915-1922]. Ecce Homo. rororo 25684 (reprint ed.). Hamburg: Rowohlt Verlag. ISBN978-3-499-25684-4.
• Wicks, Robert J. (eight May 2017). "Nietzsche's Life and Works". In Zalta, Edward N. (ed.). Stanford Encyclopedia of Philosophy.

See as well [edit]

• Ecce Homo: How One Becomes What One Is ^[p]
• Ecce human being qui est faba^[q]
• Ecce Mono ^[r]

References [edit]

1. ^ ^{a b} Хальфан 2009; Rotem 2018.
2. ^ Dreher 2017, p. 187.
3. ^ Alfeyev 1995.
4. ^ "Official motto" (JPEG paradigm). The Antiochian Diocese of Los Angeles and the West. Archived from the original on 24 February 2018. Retrieved iii April 2019.
5. ^ "Holy Week: An Explanation". Antiochian Orthodox Christian Archdiocese of Northward America. Archived from the original on 10 Baronial 2018. Retrieved 19 Apr 2019.
6. ^ Basil Essey 2008.
7. ^ Christus der Bräutigam 2018; Christus der Bräutigam 2018b; Gemeinde Wien 2019.
8. ^ The Way Home 2008; Дорога домой 2008.
9. ^ Slobodskoy 1967, "Short Prayers: Another Prayer to the Lord Jesus". Archived 7 Baronial 2018 at the Wayback Car; Слободской 1967, "Kratkiye molitvy: Yeshche odna molitva Gospodu Iisusu" Краткие молитвы: Еще одна молитва Господу Иисусу. Archived 27 Baronial 2018 at the Wayback Car.^[f]
10. ^ John El Massih 2017; Christ the Bridegroom Monastery 2009; ها هو ذا الختن on YouTube.
11. ^ "Ide ho Ánthropos" ΊΔΕ Ό ἌΝΘΡΩΠΟϹ [Behold the Man] (JPEG prototype). Orthodox Church in America. Archived from the original on 30 March 2019. Retrieved 15 May 2019.
12. ^ Alexandre (Semenoff-Tian-Chansky) 1984.
13. ^ Slobodskoy 1967, "The Social club of Divine Services: The Daily Bike of Divine Services". Archived 8 June 2017 at the Wayback Machine; Слободской 1967, "O poryadke tserkovnykh Bogosluzheniy: Sutochnyy krug Bogosluzheniy" О порядке церковных Богослужений: Суточный круг Богослужений. Archived 7 August 2018 at the Wayback Auto.^[f]
14. ^ Slobodskoy 1967, "The Sundays of Lent: Passion Calendar week". Archived 8 June 2017 at the Wayback Machine; Слободской 1967, "Nedeli Velikogo Posta: Strastnaya sedmitsa" Недели Великого Поста: Страстная седмица. Archived vi August 2018 at the Wayback Auto.^[f]
15. ^ Russian chant 2010.
16. ^ Alfeyev 2007.
17. ^ Schiller 1972, pp. 74–75, figs. 236, 240, 256–273.
18. ^ Krén & Marx.
19. ^ Wójtowicz 2011.
20. ^ Media related to File:Church of Saint Albert Chmielowski (Ecce Homo Sanctuary) in Cracow, Poland.jpg at Wikimedia Commons.
21. ^ Wyczółkowski 1880.
22. ^ Grosz 2011.
23. ^ Christ the Bridegroom Monastery 2009.
24. ^ Wicks 2017.

Notes [edit]

1. ^ ^{a b} Johnxix:five: ἰδοὺ ὁ ἄνθρωπος, romanized: idoú ho ánthropos (NA28), ecce man (NVUL) , lit.'behold the man'. Similar:
   Matthew25:six: ἰδοὺ ὁ νυμφίος, romanized: idoù ho nymphíos (NA28), ecce sponsus (NVUL) , lit.'behold the benedict'.^[1]
2. ^ ^{a b c} Matthew27:27–31: […]ἐνέπαιξαν αὐτῷ, romanized: enépaizan autõ (NA28), illudebant ei (NVUL) , lit.'they mocked him'[…]. — "The reed is a Christian symbol of humility […]. After whipping Christ and crowning him with thorns, the Roman soldiers gave Christ a reed as pathetic scepter for a mock ruler. In Christian iconography, the reed is a sign of Jesus's willingness to suffer humiliation to fulfill the will of his Father. […] [T]he humility is the absolute requirement for advancement in the spiritual life."^[2]
3. ^ "'…the disciples were called Christians first in Antioch. (Acts11:26)'"^[4]
4. ^ "At the showtime service of Palm Dominicus evening, the priest carries the icon of Christ the Bridegroom in procession, and we sing the 'Hymn of the Bridegroom'. We behold Christ as the Bridegroom of the Church, begetting the marks of His suffering, yet preparing a matrimony Banquet for us in God'south Kingdom. […] The Parable of the 10 Virgins is read on Holy Tuesday. […] The theme of the day is reinforced by the expostelarion hymn nosotros sing:"^[five]

   I behold Thy bridal sleeping room
   richly adorned,
   O my Savior;
   but I have no wedding ceremony garment
   to worthily enter.
   Make radiant
   the garment of my soul,
   O Giver of Lite,
   and save me. ^[6]

5. ^ Official account on Facebook. Arabic: بطريركية أنطاكية وسائر المشرق للروم الأرثوذكس | كنيسة الروم الأرثوذكس في فيينا - النمسا, romanized: bitrirkiat 'antakiat wasayir almashriq lilruwm al'arthudhikus | kanisat alruwm al'arthudhikus fi fiyinna - alnamsa . German: Griechisch-Orthodoxes Patriarchat von Antiochien und dem gesamten Morgenland | Griechisch-orthodoxe Kirche in Wien - Österreich, lit.'Greek Orthodox Patriarchate of Antioch and All the Eastward | Greek Orthodox Church building in Vienna - Republic of austria'.^[seven]
6. ^ ^{a b c} Net edition at Dorogadomoj.com.^[8]
7. ^ ^{a b} "Realizing our sinfulness and not relying on the power of our own prayers, in this prayer nosotros ask […] the Female parent of God, Who has special grace to save us sinners past Her intercession for us earlier Her Son, to pray for the states sinners before our Saviour." (Russian: "Сознавая свою греховность и не надеясь на силу молитв своих, мы в этой молитве просим помолиться о нас грешных, пред Спасителем нашим, […] Божию Матерь, имеющую особенную благодать спасать нас грешных Своим заступничеством за нас перед Сыном Своим.")^[9]

   Behold, the Bridegroom cometh at midnight,
   ها هوذا الختن يأتي في نصف الليل
   and blest is the servant
   فطوبى للعبد
   whom he shall find awake.
   الذي يجده مستيقظا،
   But he whom he shall notice neglectful
   أما الذي يجده متغافلا فهو
   is verily unworthy.
   غيرمستحق.
   Behold, therefore, O my soul, beware,
   فانظري يا نفسي
   lest thou fallest in deep sleep,
   ألا تستغرقي في النوم
   and the door of the kingdom
   ويغلق عليك خارج
   be closed against thee,
   الملكوت
   and thou be delivered to death.
   وتسلمي إلى الموت،
   But be thou wakeful, crying:
   بل كوني منتبهة صارخة :
   Holy, holy, holy art one thousand, O God.
   قدوس قدوس قدوس أنت يا الله،
   Through the intercessions of the Theotokos,
   من أجل والدة الإله
   have mercy on us.
   ارحمنا. ^[10]

   Cf. Isaiahhalf dozen:3: "Holy, holy, holy, is the LORD of hosts: the whole globe is full of his glory", Revelationfour:8: "Holy, holy, holy, LORD God Almighty, which was, and is, and is to come", Trisagion, and Jesus Prayer.
8. ^ The Eastern Orthodox Christianity in Syria is not to be dislocated with Syriac Christianity: "The Syrian Church has never had its own tradition of icon-painting. […] As to the not-Chalcedonian Orient, in particular the Church of Syria, icons did non discover much acceptance there, and the churches were adorned with ornaments rather than icons."^[3]
   • Antiochian representatives: ^[c]
   • "Christ the Benedict" (JPEG epitome). The Antiochian Diocese of Los Angeles and the W. Archived from the original on 11 June 2016. Retrieved 1 April 2019. ^[d]
   • "Das Bräutigam-Gebet" [The Bridegroom Prayer] on Facebook (Video). 2 April 2018. Retrieved iii April 2019.^{[e] [thou]}
9. ^ Fifty-fifty if the icon inscription is Behold the Man.^[11]
10. ^ ^{a b c} "The icon of Christ the Bridegroom portrays the selfless dearest for Christ'south Bride, the Church building (Isaiah54). He is dressed in purple colors as the betrothed King, complying with Sacred Scripture'south account of His mockery past the Roman guards before His crucifixion. The crown is a symbol of His marriage to the Church; the rope, a symbol of chains to sin, death and corruption which Jesus untied by His death on the Cross; the reed, a symbol of His humility."^[24]
11. ^ Russian: "Христос открывает Себя Носителем высшей радости", romanized: Khristos otkryvayet Sebya Nositelem vysshey radosti , lit.'Christ reveals Himself as the Bearer of the highest joy'.^[12]
12. ^ Church building Slavonic: "'жених в полунощи'", romanized: zhenikh 5 polunoshchi , lit.'the benedict at midnight'.^[13]
13. ^ Church Slavonic: "'Се Жених грядет в полунощи'", romanized: Se Zhenikh gryadet five polunoshchi , lit.'Behold the Bridegroom comes at midnight'.^[14] "During Monday, Tuesday and Wednesday of Holy Week, we celebrate Benedict Matins. We sing: 'Behold, the Benedict is coming…'".^[15]
14. ^ Matthew9:15; 25:1–13; Mark2:19; Luke5:34–35, 12:35–36. "[T]he Church is presented as His wife and bride": John2:9–ten, three:29, Ephesians5:24–27; Revelation21:9.
15. ^ Inscription: ΙϹ ΧϹ [abbr. for ΙηϲοῦϹ ΧριστόϹ] ὁ νυμφίοϲ, romanized: IesoũS CHristóS ho nymphíos , lit.'Jesus Christ the bridegroom'. — An icon, on the apex of the Rock of Calvary within the Church of the Holy Sepulchre, under the Greek Orthodox altar of the crucifixion (12thStation of the Via Dolorosa).^[one]
16. ^ "[F]inal autobiographical statement" by Friedrich Nietzsche. "He begins this fateful intellectual autobiography—he was to lose his heed niggling more than a month later—with 3 eyebrow-raising sections entitled, 'Why I Am Then Wise', 'Why I Am And so Clever', and 'Why I Write Such Good Books'."^[25]
17. ^ Latin for '"Behold the man who is a bean"'. Choral theme melody of the Telly sitcom Mr. Bean.
18. ^ Macaronic Latin/Spanish for '"Behold the monkey"'. Exemplary of an adventitious damage of art.

Further reading [edit]

Wikimedia Commons has media related to Ecce homo.

• Prezzia, Paul Joseph (xviii Apr 2019). "Celebrity to Yous, Love: Puccini's Turandot and the Triduum" (The Civilized Reader column, with reference to Genesis ii:24 and Song of Solomon iv:one). Crisis Mag. Archived from the original on 18 April 2019. Retrieved 19 Feb 2019. Christ speaks to usa hardhearted men and women with these words: 'How beautiful fine art thou, my love, how cute art thousand!' (Vocal of Solomon 4:1) Beauty, in physical terms, is the fashion the heavenly bridegroom speaks of beloved. And if Christ seeks us for the beauty He Himself created in united states of america, and in spite of our cold hearts, He is nether the obligation set for suitors in Sacred Scripture: 'A man shall leave father and female parent, and cleave to his married woman.' (Genesis 2:24)

hawkinsculach.blogspot.com

Source: https://en.wikipedia.org/wiki/Ecce_homo

Share this post